{"id":4208,"date":"2022-11-18T17:33:36","date_gmt":"2022-11-18T16:33:36","guid":{"rendered":"https:\/\/bsx.at\/?p=4208"},"modified":"2026-03-03T14:11:02","modified_gmt":"2026-03-03T13:11:02","slug":"freeports","status":"publish","type":"post","link":"https:\/\/bsx.at\/en\/freeports\/","title":{"rendered":"Freeports: The Beauty of Tax Free Storage"},"content":{"rendered":"


\n\u00a92022 | 52 Min (DE \/ FR)<\/em><\/p>\n

Script: <\/strong>Martin Gronemeyer, Michaela Kirst
\n<\/strong>Director: <\/strong>Martin Gronemeyer
\nCamera: <\/strong>Dirk L\u00fctter
\nProducer: <\/strong>Michaela Kirst, Hansj\u00fcrgen Schm\u00f6lzer
\nTrailer:<\/strong> vimeo.com\/641798010<\/a><\/span><\/p>\n

A co-production of sagamedia<\/span><\/a> & BSX Schm\u00f6lzer GmbH for ZDF\/ARTE & ORF.
\nWith the support of CineArt \/ Land Steiermark Kultur.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n


\nW<\/strong>hat is the value of art? What is the price of beauty and how is it paid for? Freeports: The Beauty of Tax Free Storage<\/em> is a documentary that dives into the secret world of art depots in international bonded duty-free<\/strong> warehouses, where works of art change hands at fantastic prices. A world in which oligarchs and dictators smuggle billions of dollars of black money back into the global financial system, bypassing tax authorities. <\/strong><\/p>\n

It is a bizarre world that the film\u00a0immerses itself in: on the one hand, works of art of often timeless significance and importance, created by the most outstanding artists in history. On the other hand, oligarchs, dictators, drug lords and financial sharks \u2014<\/strong> kleptocrats who plunder and rob entire countries and do not know what to do with their unimaginable sums of illegal funds.<\/p>\n

Connected by a system outside the direct control of state authorities, in which works of art often disappear in bonded warehouses for years and in the meantime \u2014<\/strong> without even changing location \u2014<\/strong> frequently change ownership several times. They are paid for at fantastic prices, mostly with black money, which is whitewashed through this detour.<\/p>\n

What begins as investigative research ultimately leads to very fundamental moral questions: Who has the right to access beauty, and what is art created for? Only for kleptocrats?<\/p>\n

Freeports are in our midst. They exist in Singapore, Delaware and Beijing, but also in the middle of Europe, in Switzerland and Luxembourg. It is becoming increasingly clear that there are also hidden duty-free warehouses in Austria, Germany and France in which enormous values \u200b\u200blie dormant. And hardly anyone knows exactly which ones exist.<\/p>\n

Leonardo da Vinci’s Salvator Mundi<\/em> sold for $400 million in 2017. Since then, it has disappeared and there is only speculation about the current owner. Has it been sold again?<\/p>\n

Saudi oil sheikhs, dictators like Kim Jong Un or Russian oligarchs close to Putin: there are traces of all of them that also lead through freeports. And with the whitewashed money, luxury real estate or entire hotel resorts in Austrian tourist regions are then bought via shell companies.<\/p>\n

The film\u00a0reveals how this system works and gets to the bottom of the question of who uses it, how much capital is involved and why politicians are not taking effective steps to counteract it.<\/p>\n

TV-Premiere: ARTE, 2. November 2021, 21:55 Uhr<\/span><\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a92022 | 52 Min (DE \/ FR) Script: Martin Gronemeyer, Michaela Kirst Director: Martin Gronemeyer Camera: Dirk L\u00fctter Producer: Michaela Kirst, Hansj\u00fcrgen Schm\u00f6lzer Trailer: vimeo.com\/641798010 A co-production of sagamedia & BSX Schm\u00f6lzer GmbH for ZDF\/ARTE & ORF. With the support of CineArt \/ Land Steiermark Kultur.     What is the value of art? What […]<\/p>\n","protected":false},"author":6,"featured_media":4114,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,88],"tags":[],"class_list":["post-4208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-tv-en","category-tv-dokumentarfilm-en"],"_links":{"self":[{"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/posts\/4208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/comments?post=4208"}],"version-history":[{"count":14,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/posts\/4208\/revisions"}],"predecessor-version":[{"id":4643,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/posts\/4208\/revisions\/4643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/media\/4114"}],"wp:attachment":[{"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/media?parent=4208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/categories?post=4208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bsx.at\/en\/wp-json\/wp\/v2\/tags?post=4208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}